Cultures of History Forum (Imre Kertész Kolleg Jena)
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The Silesian Museum opened in 2015 in a former coal mine in Katowice. The new permanent exhibition is the first attempt to exhibit the history of Upper Silesia, one of Poland’s most contested regions. The turbulent background regarding the development of the exhibition offers insights into the continuing processes of self-discovery in a post-industrial Upper Silesia in search of its place within contemporary Poland.
On 22 November 2014 a multi-level underground bunker from the Cold War was opened in Tirana. Constructed during the country’s socialist period in the 1970s to house the heads of state in the event of a nuclear attack on the nation, the bunker today serves as a combination museum and art installation space and is one of the most fraught and complex attempts on the part of the Albanian government to come to terms with the nation’s recent history.
A new prime-time show on Czech public television entitled 'Devadesátky' (‘The Nineties’) has turned out to be vastly popular and triggered a lively public debate. In six episodes, the series reconstructs the most notorious cases of violent, organized crime during the first post-socialist decade in the Czech Republic. The article reflects on the TV series’ popularity and what it tells us about public memory and narratives of the turbulent post-1989 period in Czech society.
As part of the special issue on 'Lex CEU', the article examines the broader situation of liberal democracy and civil society in Serbia today. Particular attention is paid to the recent anti-Soros campaigns and political attempts to thwart liberal-minded civil society, these incidents will be placed in a broader historical and present-day political context. Indeed, the events surrounding ‘Lex CEU’ were situated in a period of heightened political rhetoric in Serbia: the presidential elections.
A recent Instagramm project called 'eva-stories', in which a young girl (played by an actress) 'experiences' the Holocaust and documents it on her Insta account received much international attention, both positive and negative. Going beyond the existing critique, the article analyses the stories themselves, their uses of aesthetics as well as the accuracy of their historical representations of wartime Hungary. Based on this analysis, it discusses broader issues of Holocaust education in an age of digitalized communication.
When Local Memory Confronts State Historical Policy: Staging Edward Gierek’s Life in Sosnowiec
(2018)
Since 2015 when the Law and Justice (PiS) party returned to power, ‘history policy’ has become an important part of the political agenda in Poland. Its main targets are museums and public education more broadly. The article reviews a recent temporary exhibition about former Polish Communist Party leader Edward Gierek in the small town of Sosnowiec and places it in the wider discourses on de-communization and on regional-vs-centralized historical narratives of the recent past.
While the Museum of the Second World War in Gdańsk was still awaiting the opening of its final location, its staff prepared an exhibition that in 45 artefacts tells the story (or perhaps, stories) of the difficult process of transitioning out of war. The artefacts not only speak to us about the chaos and destruction that defined post-war life, but also about the daily practices that helped people create the intervals of peace necessary to maintain their sanity in the midst of destruction.
A recently published travelogue by Lithuanian journalist Rūta Vanagaitė raised critical questions about Lithuanians’ complicity in the extermination of their Jewish neighbours. The book sparked vivid responses among both historians and the wider Lithuanian public. The article places the debate in the broader context of Lithuania’s post-Soviet politics of memory vis á vis the Holocaust and reflects on whether the popularity of this book constitutes a shift in public historical consciousness about this controversial period.
The situation in Ukraine is the subject of an intense discussion in the public sphere and the media across Europe. But what do we know about how our neighbouring countries are reflecting on the crisis, its historical background and its meaning for the relationship between our countries, Ukraine, Russia and the European Union? During 2014 and 2015 the Cultures of History Forum asked historians and sociologists from more than 15 European countries, the US, Israel and Turkey to reflect on the media coverage and public debates regarding the Ukrainian crisis in their countries. This paper is a short outline of the coverage of the Euromaidan protests by Ukrainian television and the Internet in the period from November 2013 to spring 2014. The present article focuses on the medai coverage of these events in major US intellectual news outlets, the New York Times, New Yorker, and the New York Review of Books.
As part of a special issue on 'Lex CEU', this article discusses the processes of effective marginalization of ‘liberalism’ as an openly espoused political conviction in the Latvian public sphere. It considers the interaction of four factors: nationalism, the politics of privatization, the self-interest of some powerful Latvian politicians, and, after the turn of the millennium, the increasing influence of parties and organizations espousing 'family values'.