Cultures of History Forum (Imre Kertész Kolleg Jena)
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Monumental Conflict: Controversies Surrounding the Removal of the Marshal Konev Statue in Prague
(2020)
On 3 April 2020 the statue of former Soviet Army Marshal Ivan Stepanovich Konev was removed from its prominent location in downtown Prague. This radical act was preceded by years of public debate over wartime and postwar Czech history and the role of the Red Army in it. The article reviews these debates and discusses the reasons why controversy has flared up now and to what extent it is the result of changing narratives and shifting memory politcs in recent years.
The Royal Museum for Central Afrika in Tervuren, Belgium, has long been seen as a racist institution. Recently it has come out with a new permanent exhibition that aims at a more (self-) critical approach to the colonial past. The article reviews the new exhibition and the criticism against it. In an epilogue it shows the various ways in which the new AfricaMuseum and its exhibit carry valuable lessons also for museums in Central and Eastern Europe.
75 years after Nazi Germany's defeat in 1945, different narratives of the war still mark public commemorations across the former Soviet Union, epitomized by two dates: 8 and 9 May. In Ukraine today, both are official commemorations days yet they are surrounded by contentious debates about history and identity. The article zooms in on this year's commemorations in Kharkiv discussing these debates and what they tell us about Ukraine’s evolving memory culture.
How strong are memories of the 1989 revolution in Germany and the Czechoslovak successor states, and how do they reinforce democratic politics today? In a comparative review of the anniversary commemorations in Leipzig, Berlin, Prague and Bratislava, the article discusses to what extent these events managed to reanimate the civic spirit of 1989 and how they alert to contemporary threats to democracy.
Why is it that one of the most visited museums in Prague, the Museum of Communism, is largely ignored by Czechs? Whose narrative is being presented here and who is being addressed? The article reviews the history and current permanent exhitition of this private museum and uses it to reflect on broader issues relating to the definition and functions of contemporary museums.
On 13 February 2020, citizens of the city of Dresden commemorated the 75th anniversary of their city's destruction by Allied bombing attacks in 1945. Subject to great contestation in politics and civil society, political protest and counter-protest also marked this year’s anniversary. Based on ethnographic fieldwork in Dresden before, during and after 13 February 2020, the article reviews the public events and discusses the actors and narratives that shape Dresden’s most important remembrance day.
As part of our continuous Focus on the memory of the Shoah in Central and Eastern Europe, the article discusses the 2018 Russian feature film ‘Sobibor’ and the story it tells about Sobibór and the Holocaust. Apart from revealing the completely ahistorical character of this movie, as well as a deeply antisemitic undercurrent in its presentation, the article also highlights the broader political context of this officially sanctioned production, raising questions about the current Russian history policy regarding the Holocaust.
The Nobel Prize for Literature in 2019 to Peter Handke sparked a harsh debate, both in Serbia and internationally due to the Austrian writer's controversial stances in defence of Slobodan Milošević and the crimes committed by Serbian forces during the 1990s. The article provides a critical review of the debate and the continued divisions in retrospective interpretations of the Yugoslav wars.
A year ago, the documentary film 'Kolyma – Birthplace of Our Fear' was uploaded to YouTube. Made by the blogger Yury Dud, it has received over 20 million views today, despite the fact that it addresses one of the darkest chapters of recent history in Russia - the Gulag. The article analyses the film and its popular appeal, not least among young audiences. It identifies three key phenomena of present-day Russia that the documentary addresses: fear, ambivalent attitudes towards Stalin and an ahistorical form of patriotism.
In October 2019, a new memorial was opened in the former family house of Jan Palach in the small Czech town of Všetaty. With an impressive architecture and a small exhibition, the memorial commemorates the student who, in January 1969, set himself on fire to protest the communist regime. The article places its review of the memorial in the wider history of Palach commemoration in the Czech Republic.