Cultures of History Forum (Imre Kertész Kolleg Jena)
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For many decades Soviet and post-Soviet collective memory of the Second World War has been closely tied to the song 'Bukhenval'dskii nabat' (Alarm Bell of Buchenwald), performed at both official and private commemorations across the former Soviet Union. The article traces the origins of the song and critically discusses the various transformations it undertook from being an anti-nuclear peace song to becoming a central element of the antifascist 'Great Patriotic War'-memory.
Thirty years have passed since the dissolution of the Soviet Union. In Russia's public sphere today, the decade that followed is remembered with ambivalence while politically, negative narratives of the 'rowdy nineties' dominate. The article examines how the 1990s are being represented on social media platforms, in particular on TikTok and Instagram, and to what extent the platform-generated grassroot memory practices differ from, or even oppose the official narrative about this period.
The recent verdict against two Holocaust researchers in a Polish civil law court raised much concern about the increasing juridification of history in Poland. The Cultures of History Forum asked the legal scholar and civil rights lawyer Dr. Aleksandra Gliszczyńska-Grabias about the legal and political background of this lawsuit, as well as about antisemitism and the role of the judiciary in the Polish government's 'historical policy'.
What has been the role of historical symbols and images for both mobilizing anti-government protests in Belarus and coping with the state-inflicted violence against peaceful protesters? This is the main question guiding this exploration of the dynamics of memory-related images and symbols during the 2020 protests. It discusses the power of historical symbolism and its parallels in earlier revolutions in the region, yet also emphasises key differences in the Belarusian case.
As part of our continuous Focus on the memory of the Shoah in Central and Eastern Europe, the article discusses the 2018 Russian feature film ‘Sobibor’ and the story it tells about Sobibór and the Holocaust. Apart from revealing the completely ahistorical character of this movie, as well as a deeply antisemitic undercurrent in its presentation, the article also highlights the broader political context of this officially sanctioned production, raising questions about the current Russian history policy regarding the Holocaust.
The Nobel Prize for Literature in 2019 to Peter Handke sparked a harsh debate, both in Serbia and internationally due to the Austrian writer's controversial stances in defence of Slobodan Milošević and the crimes committed by Serbian forces during the 1990s. The article provides a critical review of the debate and the continued divisions in retrospective interpretations of the Yugoslav wars.
1945 – Defeat. Liberation. New Beginning. Twelve European Countries after the Second World War
(2015)
The article critiques a recently opened temporary exhibition about Europe’s post-war history at the German Historical Museum (DHM). While the exhibition treats all major themes of the war's end with political and historical correctness, it poses no guiding questions for visitors; neither does provide comparative perspectives. Therefore, it ultimately fails to rise above mere eclecticism. Overall the DHM fails in its attempt to grasp European history as a zone of interconnections rather than of parallel strands.
Official commemorations of the end of the Second World War in Estonia take place on May 8 and they focus on the victims of what is perceived as the most traumatic event in recent national history. A day later, another commemoration takes place that celebrates the war's end as victory and is attended by many Russian-speakers of Estonia. These two events epitomize the mnemonic landscape of Estonia characterized by two memory regimes that exist as parallel universes.
In May 1985, Yugoslav Slovenia celebrated Victory Day and the 40th anniversary of liberation. In May 2015, independent Slovenia celebrated the 70th anniversary of the war’s end as if it had been a kind of a natural process that ended, just like summer ends. What happened to the victory celebration? This article argues that the discursive differences between the two state celebrations reflect the deep crisis of official state/national ideology.
The recent past is frequently the subject of heightened public debates in Poland. Historians receive considerable media attention, their publications and statements draw comments from journalists and politicians. These disputes invariably revolve round three fundamental issues: Polish–Jewish relations, opinions about the Warsaw Uprising, and settling scores with communism. The article provides a critical review of the themes and arguments in each of these disputed areas.